Limit Break Ranks Skills First Gains Full Barrage I / Torpedo Efficiency +5% Full Firepower CN: 火力全开 JP: 火力全開: Every 20 seconds, 30% (60%) chance to increase own Firepower by 20% (40%) for 10 seconds.
Origin
Tokyo, Japan
Genres
Years active
1999–2007
Labels
Associated acts
The Studs
Boogieman
Guiche
Daisuke to Kuro no Injatachi
Past members
Masaya Kuya Daisuke Yuana Kazu Shizumi
Kagerou (蜉蝣, Kagerō) was a Japanese visual kei[1]rock band, formed in September 1999 by vocalist Daisuke and bassist Masaya, with guitarist Yuana joining shortly afterward. In 2000 Kagerou left their record label Loop Ash to sign with Lizard, a sub-label of Free-Will. After experiencing success within Japan, the band set their sights abroad and in 2005 they played in both Germany and France.
5Discography
5.1Daisuke, Yuana, and Masaya
5.2Daisuke, Yuana, Masaya, and Shizûmi
5.3Daisuke, Yuana, Kuya, and Shizûmi
5.4Daisuke, Yuana, Kazu, and Shizûmi
History[edit]
At their live on September 16, 2006, at Liquid Room Ebisu, Kagerou announced that they would disband. Member comments on their official website stated that their last live would take place on January 8, 2007 at Zepp Tokyo. On December 27, 2006 they released a final greatest hits album entitled Shinjuka.
Upon releasing their first single in June 2010 and the second in July, Daisuke's solo project, 'Daisuke to Kuro no Injatachi', was due to release an album and follow it with a tour in Europe and the US. However, Daisuke died on July 15, 2010.[2]
Daisuke to Kuro no Injatachi then released an album on February 20, 2011. Composed of unfinished works by Daisuke, it was entitled Shikkoku no Hikari (漆黒の光, 'Black Light'). It features Shizûmi, Yuana, Kazu, aie (ex:Deadman, The Studs), Kyo (Dir en grey), Tatsurou (MUCC), Karyu (ex: D'espairsRay, Angelo) and members of Merry, 12012, Kannivalism and Boogieman.[3][4]
Style[edit]
Kagerou was a visual kei band that played music ranging from metal to ballads. Early on their look consisted of costumes and makeup, but later on in their career they began to wear simple suits and refrained from wearing makeup.
Band name[edit]
Kagerou means 'mayfly' in the Japanese language. Mayflies can be as old as three years. However, when mayflies reach their adulthood, their life span varies from two hours to three days. The short lifespan of a mayfly was thought to be symbolic of vocalist Daisuke. He suffered heart problems since infancy and knowing that his heart could stop any day the band was named Kagerou in honor of him.
Members[edit]
Daisuke (大佑) – vocals – Daisuke penned all the lyrics for Kagerou and was renowned for his unique vocal styles and impressive range. His previous bands included Le'Cheri and Fatima, in which he was the drummer. Aside from drums, he also played the piano. Daisuke was known for his audience interaction such as stage diving and was commonly nicknamed 'charisma vocalist' despite his small stature. Following the dissolution of Kagerou in 2007, Daisuke formed The Studs with aie (ex:Deadman). After they went on activity pause, he created his solo project, Daisuke to Kuro no Injatachi. Daisuke died on July 15, 2010. Despite speculation of possible suicide or heart attack the cause of death is unknown.
Yuana (ユアナ) – guitars – Yuana wrote the majority of the band's songs. His past bands include Sweet Hallucination, and Alicia where he was known as 'Ewana'. He is currently the guitarist of Boogieman.
Kazu – bass – Kazu's past bands include Research, in which he played under the name 'Kazunori', and Aioria.
Shizûmi (静海) – drums and percussion – Shizumi's past bands are Mitre Curé, better known as Mélusine.
Past members
Masaya – bass – He left in 2000 and joined Kar'Maria. He then retired and left the music industry.
Kuya – bass – Kuya joined Kagerou in January, 2001 and subsequently left in August to join Guiche.
Discography[edit]
Daisuke, Yuana, and Masaya[edit]
Demo tapes[edit]
Biological Slicer
Biyou Seikei Ishi no Shumi (美容整形医師の趣味) (April 21, 2000)
Singles[edit]
Biological Slicer (April 4, 2000)
'Eroa' (エロア)
'R shitei' (R指定)
'Saigo no Kensa' (最期の検査)
'Wrist-cutter' (リストカッター)
Daisuke, Yuana, Masaya, and Shizûmi[edit]
Compilation and distributed[edit]
'0718' (July 18, 2000, distributed CD)
'Meisou Honnou' (迷走本能) from Japanesque Rock Collectionz (July 28, 2000, compilation CD by Cure Magazine)
'Mousou Chikashitsu' (妄想地下室) from Kakumei ~Voice of Rebirth~ (August 30, 2000)
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Kagerou_(band)&oldid=870644750'
About this title
Synopsis:
Kohei Yoshiyuki's nighttime photographs, taken with infrared film and flash in Japan's Shinjuku, Yoyogi and Aoyama Parks during the 1970s, capture the illicit sexual encounters, both heterosexual and homosexual, that frequently occurred there under the cloak of darkness. The Park's images not only reveal hidden sexual exploits but also uncover many spectators ardently lurking in the darkness, waiting to join in--and quickly raise issues of voyeurism and surveillance. In The Photobook: A History, Volume II, Martin Parr speaks to the societal relevance of this series, calling it, 'A brilliant piece of social documentation, catching perfectly the loneliness, sadness and desperation that so often accompany sexual or human relationships in a big, hard metropolis like Tokyo.' As exhibition organizer and editor Yossi Milo writes in his introduction, 'With each viewing, I noticed something that had eluded me before: the photos' rigorous compositions They are provocative photographs, and unsettling as well: one is both chilled and thrilled by Yoshiyuki's boldness, by how close he crept to his unaware subjects, by the hours he spent late at night crouched in bushes and against trees, waiting for his perfect shot.' Originally published as Document Kouen in Japan in 1980 and long out of print, the austere and acclaimed first edition of this book now commands prices near $1,000 per copy. This new, updated edition, featuring an interview with the artist by colleague Nobuyoshi Araki and an essay by the noted photo critic Vince Aletti, contains all 60 works from the infamous Park series, reproduced from new scans in deluxe duotones. This work has not been seen by the public since the 1970s and has been known only to cult collectors until now. Exhibited at Yossi Milo Gallery in New York in September of 2007, it was one of the most talked-about offerings of the season.
'About this title' may belong to another edition of this title.